玛丽·弗萨 Marie Forså

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Marie Forsa (Maria Lynn) was a cute little blonde Swede, slender and pert but with subtle dark rings under her eyes that give her a vaguely doomed look. She looked for all the world like Helen Slater's little sister. Her claim to fame is that she was the greatest erotic film actress. She was not an accomplished dramatic actress, but for simulating sexual emotion she was peerless. She made *** an arresting narrative, combining pleasure with desperation and emotional anguish She also had the most unusual ***** film career of any actress. She starred in several *** films, yet there is (almost) no ******** footage of her anywhere, a situation that's led to much controversy and misinformation about her career. Forsa's career resembled that of Christina Lindberg, Sweden's reigning nudie queen at the start of Forsa's career. Lindberg appeared in at least two films distributed with explicit close-up inserts of other people's bodies but Lindberg never went all the way. ******** *** would have been a career killer – it still is. "Always leave 'em wanting ****." *** film fanciers are faced with a paradox–they always want ****, but are **** entertained when given less. The most precious commodity in ***** film is the sense that you are seeing something special or precious. If I were to guess, I suspect that she promised her mother she wouldn't do porno films and then lived up to that in a hyper-literal sort of way. There is a lot of footage of her actually having *** on camera, but the angles are ****-core. She did, however, do a couple of ******** photo layouts for Swedish **** magazines, though wearing a wig and not identified by name. (The most explicit images I've ever seen of Christina Lindberg are also from Swedish **** magazines wearing a wig and unidentified, but are not ***) Marie Forsa was not a sexually reticent actress. In fact, she was arguably the least reticent film actress ever. Forsa often engaged in real *** on camera, even when it wasn't required—performing *** acts with her co-stars on camera that she knew would be cut out of the final film. Maybe she just wanted to have *** with them in front of an entire film crew... few people become film stars without an exhibitionist streak. Boil it all down and here's what we can really say: There is no released motion picture footage of her mouth or vagina explicitly shown with a ***** in it where you can also see her face. Still photos? Yes, a few. And tons of footage of her fucking up a storm, but at non-explicit angles. In BUTTERFLIES she did ******** acting with the understanding that it would be trimmed down to softcore. Then for American ***** theatre release the same movie was edited back up to ******** using inserts of other women's bodies. How weird is that? Why would any director work with an actress who exerted such inconvenient control over her image? Because she was that good. 大美女 大大大大大大大大大美女