Hans Richter's 'Rhythmus 21 (1921)' has modest enough aspirations, and I suppose it's fair to say that it fulfills them adequately. As far as "geometric shapes increasing and decreasing in size" cinema goes, this is a vaguely interesting short film that takes a ****** concept and
RYZ
比较适合放在艺术馆****连放哈
文泽尔
虽然除了开头结尾就没有电影样..但这个抽象却还不得不承认是不同23相仿。正方形的主体的地位不变,其它的形状放大缩小变化,有主次,不经常重叠反复,但同样是无聊的实验。
光
****://***.tudou****/programs/view/Yij4V37ZKR0/
何倩彤
又係堡堡堂,其他的更好看為甚麼倒不給我們看。
Elanor
《认识电影》上说,很多先锋派艺术家都是从绘画转入电影行业的,因为着迷于影像具时间性及物理上具动感的层次 看完更理解这句话,一下想到《胜利之舞》
stknight
Hans Richter's 'Rhythmus 21 (1921)' has modest enough aspirations, and I suppose it's fair to say that it fulfills them adequately. As far as "geometric shapes increasing and decreasing in size" cinema goes, this is a vaguely interesting short film that takes a ****** concept and
成都越
导演作为达达主义的玩家,这部片子也许其实比早期MG实验选手(例如Oskar Fischinger,Norman McLaren)的图形实验要早得多。另外在上述MG实验选手开始出来做东西的时候,Richter已经在发表关于**电影的文章了。于是**电影与运动图形在此被串联了起来。
四两白干
狂赞!我也觉得自己能拍超现实倾向的抽象主义电影!
mikaholic
感觉用线条的那个更有感染力 原理同欣儿跳舞不够yumiko好看是一样的
Panda的影音
第二十一号节奏 Rhythmus 21 (1921):https://***.bilibili****/video/av70853942 —— 默片**的抽象电影。